Recommended by The Wall Street Journal I missed it on first exposure, but after repeat-listening I was blown away by the nuances, the details, the conscious (but not tiresome) phrasing of every note and the electric air. 5 ... Brandenburg Concerto No. Bach: Brandenburg Concerto #3 analysis Melody Written in contrapuntal style - several melodies playing simultaneously Difficult to distinguish phrases; melodies tend to be lengthy Melodic motive - first three notes of the first movement Combination of leaps and steps in first movement, primarily stepwise motion in the third movement Rhythm I still love my very first recording: Gardiner’s on Erato. Columbia Sets MM 249 1-4, MM 250 5-6 Recorded in 1935, London Digital transfer by F. Reeder High bit rate. The Brandenburg Concerto No. I actually agree with the Gramophone choice of Rachel Podger (Channel Classics). Analysis of the. Compare, for example, the early recording of the Partitas by Sir András Schiff (Decca, proper and dour) to his re-make a quarter century later, where he lights the Partitas up, infusing them with compelling motion. Bach (1685-1750) Arranged by Merle J. Isaac. No.4 Goldberg Variations Duo Tal and Groethuysen (Sony), Amazon mp3: NA | Amazon CDs ~$9 | ArkivMusic: NA | Qobuz download £10 | iTunes mp3: NA, Gramophone’s Choice: Glenn Gould (Canadian, Sony), My Choice: Duo Tal and Groethuysen (Israeli-German, Sony). Daniel Hope is a decent violinist who is good at playing his instrument and better still at playing audiences. Sound choices, all; I’ll go with a spiritual one: With Enoch zu Guttenberg’s and his “Sound Administration Orchestra” (Farao). Recommended by The Wall Street Journal 2 may have been one of the last to be written, and it certainly seems like a special-occasion piece. Display the Standard Notation of Brandenburg Concerto No. Album: Brandenburg Concertos 1-6, Orchestral Suites 1-4. 5 is famous for use of solo violin, strings, harpsichord, and flute. I like Monica Huggett’s full, rich-sounding recording a lot, and also the reconstructions it features, and have reviewed it positively. But I am in secret waiting for a recording on the harpsichord that surpasses Pinnock (or Masaaki Suzuki, Peter Watchorn, Robert Woolley, Blandine Verlet, Francesco Corti – all good) in the way Schiff did himself. Fred Hersch Interview for Jazz and the Brandenburg Concertos, by Dan Ouellette 07/15/19 Fred Hersch interview with Dan Ouellette edited Brief Bio by Dan Ouellette The ten-time Grammy nominee, at the age of 62, has been called a living legend and a virtuoso partly based on his over 30-recording discography beginning with his 1986… The Brandenburg Concerto No. Reviewed in the United Kingdom on January 18, 2013. Margrave of Brandenburg. The second movement of Brandenburg Concerto 6 is like a duo, with reduced forces like in most other concertos, so without the gambas.The second viola starts at the opening and then the two violas pass the theme each other, with the cello and continuo accompanying and sometimes playing part of … The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. Bach, Adolf Busch, Busch Chamber Players - Brandenburg Concertos 1-6 / Orchestral Suites 1-4 Album Performer: Bach, Adolf Busch, Busch Chamber Players Title: Brandenburg Concertos 1-6 / Orchestral Suites 1-4 Style: Baroque Released: 1991 Cat#: CHS 764047 2 Country: Europe Label: EMI Classics Size MP3 version: 1166 mb Size FLAC version: 1820 mb Size WMA version: 1641 mb By emotional coin-toss, I will go with the former, perhaps slightly safer choice for the recommendation. From the satisfying groove of a disco or techno beat to a Bach Brandenburg Concerto, musical rhythm has long been tied to our internal rhythm. Brandenburg Concerto No. Rhythm based on two short notes followed by a longer one (eg semiquaver-semiquaver-quaver). On harpsichord, I would probably be least willing to part with Richard Egarr (Harmonia Mundi). 2 in F major, BWV 1047 [11:10] ... That tasty rhythm is set off again in Concerto No.2, a superb high trumpet solo from Julian Sommerhalder crowning multi-faceted layers of counterpoint. Brandenburg Concerto No. Their “Historically Most Informed” St. John Passion is a favorite. My enjoyment isn’t confined to the most recent in recording technology and performance ideology. Passepied I e II, Brandenburg Concertos 1-6 / Orchestral Suites 1-4, Bach, Adolf Busch, Busch Chamber Players -, Johann Sebastian Bach, Busch Chamber Players, Adolf Busch -, Das Zürcher Barock-Ensemble Conducted By Carl Schuricht / J. S. Bach - Die Sechs Brandenburgischen Konzerte, Bach, Karl Münchinger, Stuttgart Chamber Orchestra - Brandenburg Concertos Complete, Bach, Adolf Busch, Busch Chamber Players - Brandenburg Concertos, Johann Sebastian Bach - Brandenburg Concertos, Johann Sebastian Bach, Collegium Aureum - Die Sechs Brandenburgischen Konzerte, Bach - Jerzy Maksymiuk - Polish Chamber Orchestra - Brandenburg Concertos No.2 In F Major No.5 In D Major No.6 In B Flat Major, Johann Sebastian Bach - Festival Strings Lucerne Leader: Rudolf Baumgartner - Brandenburg Concertos Nos. “Clavierübung Part I”) are, like Bach’s Suites and Overtures, stylized dance music. At various times I have worked with the CATO Institute, written for the Washington Post, contributed to Washington's Public Radio Station, and sold classical music at…. Bach, The Brandenburg Consort, Roy Goodman - The Four Orchestral Suites Album Performer: Bach, The Brandenburg Consort, Roy Goodman Title: The Four Orchestral Suites Style: Baroque Released: 1996 Cat#: CDD22002 Country: UK Label: Hyperion Size MP3 version: 2354 mb Size FLAC version: 1394 mb Size WMA version: 2241 mb Rating: 4.3 Votes: 410 Genre: Classical If I went conventional-yet-non-Gould, Perahia’s very good, very pianistic, romantic recording would be it, or those of Zhu Xiao-Mei (Mirare). Upon much-anticipated arrival, it won the 2007 Gramophone Award and the magazine is sticking to its guns. Bach is the P.G. ], No.1 Orchestral Suites Concerto Köln (Berlin Classics), Amazon mp3: $16 | Amazon 2 CDs: ~$30 | ArkivMusic: $30 | Qobuz download £11 | iTunes mp3: $14, Gramophone’s Choice: Ensemble Sonnerie / Monica Huggett (English, Avie), My Choice: Concerto Köln (German, Berlin Classics). have not made meaningful contributions to the genre of Bach recordings at all. They are, all gratitude and nostalgia aside, merely of historical interest. Just three examples: The cry “Barabas” – when the crowd opts to free the murderer over Jesus – is not a short punctuated staccato interruption. They shouldn't play together, not with one rhythm, because that is not what they did then. 4 in G - First Movement: The 'motto' rhythm hidden even within the opening bar. I should think that potential aliens might rather get too sanguine an impression of us* … but there we go: Bach is the bee’s knees, and anyone who knows Bach but doesn’t love his music is going to be suspect to me, lest I learn a exculpatory reason for their lamentable deficiency. For jazzed-up Brandenburgs, Jacques Loussier (Telarc) is the foot-tappin’ choice. Bach’s two original violin concertos in A minor and E major are favourites in the repertoire – the bright first movement of the concerto in E is a particular highlight. Forty (!) Point to each note in succession. Read honest and unbiased product reviews from our users. No quibbles here: Canterbury-born Trevor Pinnock’s second recording of the Brandenburg Concertos (Avie) is terrific: Historically informed playing (which has really become the standard in this repertoire) at a very high level. 4 In G Major BWV1049, Brandenburg Concerto No. DR13 -8.01 dB -25.02 dB 22:54 05-Brandenburg Concerto No. In 1721 Bach dedicated his score – in flowery French – to Christian Ludwig, Margrave of Brandenburg, not in fulfilment of a commission but more as a thinly disguised application for employment at the Margrave’s court. B’Rock Orchestra was founded in Ghent in 2005. It's a concerto featuring four prominent instruments -- trumpet, recorder, oboe, and violin -- against a foundation of strings and continuo. • Body Percussion Score, Brandenburg Concerto No. WMG Public Domain Compositions, Sony ATV Publishing. The concerto also exists in an alternative version, Sinfonia BWV 1046.1 (formerly BWV 1046a), which appears to have been composed during Bach's years at … Brandenburg Concerto No. I know someone else has coined the term for a different work, but with Queyras the Suites become the apotheosis of dance. Discussion/Introduction to Bach's 'Brandenburg' Concertos Nos. Date of composition of the Brandenburg Concertos. That’s perhaps the one reason I choose him over the more extrovert but excellent recording of Gavriel Lipkind (a comparative review can be read here), or the surprise contender Arnau Tomàs (Aglae, in almost artificially great sound) that swept the board in a recent blind-listening exercise I participated in. No.9 Mass in B minor Netherlands Bach Society / Jos van Veldhoven (Dutch, Channel Classics), Amazon mp3: NA | Amazon 2 SACDs: ~$33-45 | ArkivMusic: NA | Qobuz download NA | iTunes mp3: NA, Gramophone’s Choice: Dunedin Consort and Players / John Butt (English, Linn), My Choice: Netherlands Bach Society / Jos van Veldhoven (Dutch, Channel Classics). It’s speedy, lean, without much audible interpretive weight, and recorded with a thin sound in a very dry acoustic, despite the luxurious sound that his Stradivarius (Suites 1-4, 6) and Guadagnini (Suite 5) cellos usually produce in concert or on other recordings. 2, which has the note stems going up. Composers: Johann Sebastian Bach. Read honest and unbiased product reviews from our users. The rhythm is that of a gigue but, while the structure is Italianate, the character, emphasized at one point in the score by elegant grace notes in the violin ripieno and viola lines, is predominantly French. Composer: Johann Sebastian Bach. No-nonsense, no-picture publications like the American Record Guide or Fanfare Magazine (both American), which exude the charm of telephone books, are total geek literature, arcane, loved by the few dedicated readers, and more or less published out of the basements of their respective, dedicated publishers… private ventures and labors of love that, like the lamented International Record Review, won’t likely survive their founders. The Brandenburg Concertos are one of the greatest musical CVs ever assembled. Spunky and swift, it chooses the lower French baroque pitch (~392 Hz) common to Weimar and Cöthen of Bach’s time. 1 in F major, BWV 1046 [19:25] Brandenburg Concerto No. There’s a litany of recordings I love for different reasons, Gould included: For example Konstantin Konstantin Lifschitz (Denon), Murray Perahia (Sony Classical), and Evgeni Koroliov (Hänssler) when it comes to version on the piano; Richard Egarr for flexibility (HMU), Pierre Hantaï for vividness (naïve or Mirare), or Masaaki Suzuki for explosive fascination (BIS) on the harpsichord. the patron Bach dedicated his Brandenburg concertos to. Pushed to pick my favorite in 2015, I’d be much harder pressed. “The Vivaldi then takes us to a masked ball in Venice. The Brandenburg Concertos were recorded 9 to 17 October 1935 and the Orchestral Suites were recorded 27 to 28 October 1936 at Abbey Road Studios, London. And the whiplash of the continuo string instruments and the frenzied violins in the recitative “Erbarm es Gott!” depicts the beating of Christ about as vividly as the Mel Gibson film. [no tempo indication] (usually performed at Allegro) 2. Karl Richter I & II (Archiv, both) and Helmut Rilling (Hänssler) would be far up my list, as would be a recent recording with Riccardo Chailly and the brawny Leipzig Gewandhaus Orchestra (Decca). Brandenburg Concerto No. It’s very HIP and consequently employs a small chorus (with three ripienists to a part on the large size for HIP, if you are into that sort of arcane detail), but the choral parts that we love in the Kyrie, the Sanctus, or the Gloria come through with real opulence and splendor, in audiophile sound. CD 1. Pulse is what makes music come alive. 5 meter stands out in this work. René Jacobs’ 2013 recording (Harmonia Mundi) shows the trend of recent HIP recordings in not trying to further push the envelope with regards to speed or explosiveness. Now, in The Six Brandenburg Concertos, De Keersmaeker returns to an early enthusiasm, taking Bach’s concerti grossi as her starting point. The tempo is marked as allegro, or quick. All Rights Reserved, This is a BETA experience. Recommended by The Wall Street Journal. The word grosso simply means “large,” for there are more soloists than was customary at the time, and the music … ... changing how the rhythm divides. The orchestra combines classical instruments with 21 st -century ideas and timeless joy, striving for innovation and renewal in the world of Early Music. Excite, but to delight 27:54 and part 63b ( NBA ) in Bach, at the end of musical... Serious CD-reviewing with the Gramophone Bach-choices, I ’ D be much harder pressed is extended! 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