Please note: Emily Murphy is not the author of this post, contrary to what it says. by Pauline Kael. See if your friends have read any of Pauline Kael's books. Pauline Kael (1919 - 2001) changed film criticism with her contrary takes in the New Yorker on "Bonnie and Clyde," "West Side Story" and more. Pauline Kael: movie critic 72. By Brian Kellow (Viking; 417 pages; $27.95) No offense to the very able Brian Kellow, author of the first Pauline Kael biography, but the most famous and … 25 quotes from Pauline Kael: 'Irresponsibility is part of the pleasure of all art; it is the part the schools cannot recognize. The book reads almost like fiction at times…..all 400 plus pages. Kael, in characteristically sardonic and bitchy style, explains that:. Just a moment while we sign you in to your Goodreads account. The most comprehensive list of st simon websites last updated on Jul 1 2020. The author is Joshua Garstka. What a character Pauline Kael was! An actor’s scowl, a small subversive gesture, a dirty remark that someone tosses off with a mock-innocent face, and the world makes a little bit of sense. In her author's note she claims that the period begins lamely then suddenly there's one marvellous movie after another. Condition is USED SHOWS WEAR . ', 'A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. The author interviewed nearly 170 friends, former editors, family members, rivals and actors and directors she'd panned and praised. During her tenure at The New Yorker from 1968 to 1991, she was the most widely read and, often enough, the most provocative critic in America. Published in 1965, this is Pauline Kael's first book. Diversity Collections Pro … And because movies are the most total and encompassing art form we have, these reactions can seem the most personal and, maybe the most important, imaginable. Read 40 reviews from the world's largest community for readers. Directed by Arthur Hiller, the film is blotchy in just about every conceivable way. Pauline Kael was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. You do meet them, of course, and you know each other at once because you talk less about good movies than about what you love in bad movies.”, “Movies are so rarely great art that if we cannot appreciate great trash we have very little reason to be interested in them.”, Pauline Kael was an American film critic who wrote for, I Lost it at the Movies: Film Writings, 1954-1965, Kiss Kiss Bang Bang: Film Writings, 1965-1967, When the Lights Go Down: Film Writings, 1975-1980, Deeper Into Movies: Film Writings, 1969-1972. * Note: these are all the books on Goodreads for this author. Henry Luce: father of "Time" 163. She was by now reviewing half the year at The New Yorker; feeling for her during her hiatus, her editor (who was paying her too little), William Shawn, assigned her a long piece on the scholarship emerging around the authorship of the Citizen Kane script. More . Columbia. I Lost it at the Movies book. Pauline Kael got messed up. Good movies make you care, make you believe in possibilities again. Author! Refresh and try again. The Age of Movies: Selected Writings of Pauline Kael: A Library of America Special Publication Don Herbert: Mr. Wizard 162. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. Imitation of Life US (1934): Drama 109 min, No rating, Black & … Error rating book. Sitting there alone or painfully alone because those with you do not react as you do, you know there must be others perhaps in this very theatre or in this city, surely in other theatres in other cities, now, in the past or future, who react as you do. Looking for books by Pauline Kael? She's a sassy, opinionated woman, and for the most part her reviews are fun to read. Pre-publication book reviews and features keeping readers and industry influencers in the know since 1933. Rather than trace recent movie openings on a week-by-week basis, Kael here recalls classics by Ophuls, Renoir, and Bergman and comments on some of the international masterpieces of the early '60s. In every one of these books we can see how much he knew about cinema and how well she wrote about it. This is Pauline Kael's ninth collection (and eleventh book) and it covers her film reviews from The New Yorker magazine from July 1985 to June 1988. Edgar Lee Masters: poet 166. Kael famously bounced gleefully on top of the solemnity of Andrew Sarris when he elaborated on the French "auteur theory" (that the director is the author of a movie). Welles was typically on television during these days trying to raise money for The Other Side of the Wind. 71. The most recently published piece in Renata Adler’s collected nonfiction, After the Tall Timber (New York Review Books), is a curious defense of … Shipped with USPS Media Mail.THNAK YOU. Carolyn Keene; wrote Nancy Drew stories 73. Pauline Kael was a respected film critic who was most active during the 1960s- 1980s. Reeling is even better, if that's possible, for two reasons. Refresh and try again. Find authors like Pauline Kael from the world’s largest community of readers. See all books authored by Pauline Kael, including 5001 Nights at the Movies: An A - Z Guide for Cinema, TV and Video Viewers, and For Keeps: 30 Years at the Movies, and more on ThriftBooks.com. Louise Beavers: Negro ac­ tress, "Beulah" 161. Edgar Rice Burroughs: author of Tarzan and Mars series of books 164. “Raising Kane” itself bears the by-line of Pauline Kael and of Pauline Kael alone. The script, by Israel Horovitz, has trim, funny lines but also terrible, overingratiating ones, and some of the most doddering, bonehead situations to be soon on the big screen in years. “Irresponsibility is part of the pleasure of all art; it is the part the schools cannot recognize.”, “A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. I know people say that about others all the time but Kael was certainly original both as a person and a film critic. Pauline Kael's reviews aren't just provocative---they're addictive. Stats collected from various trackers included with free apps. Made in Ireland. If somewhere in the Hollywood-entertainment world someone has managed to break through with something that speaks to you, then it isn’t all corruption. Author: Pauline Kael: ISBN: Does not apply: THIS IS THE CITIZEN KANE BOOK RAISING KANE PAULINE KAEL THE SHOOTING SCRIPT THIS IS A SOFT COVER BOOK . Edgar A. ... Pauline Kael: A Life in the Dark. Welcome back. Yet thousands of words are directly quoted from other writers, … Just a moment while we sign you in to your Goodreads account. The smell of a skunk is more distinguishable than the perfume of a rose; does that make it better?. Hire a Professional Book Editor Get Your Book Reviewed Launch a Pro Connect Author Page Promote Your Book Learn About The Book Industry. Read 40 reviews from the world's largest community for readers. She was one of the most influential American film critics of her era. Pauline Kael: A Life in the Dark Brian Kellow Viking Adult, October 2011 432 pages $27.95. See the bottom of the post for bio information. With Cathryn Harrison. Seller assumes all responsibility for this listing. Email required Address never made public. The compilations of cinema reviews of Pauline Kael are all masterpieces, published in 10 books covering her reviews from 1954 to 1991. Welcome back. Brian Kellow (Viking, $27.95) Author Kellow has done a great job of highlighting some of her key reviews and the incidents that helped shape her views. The book that I checked out from the library includes her reviews from 1972-75. It is at once her most uncharacteristic volume of essays and one of her most interesting. Susannah York is the author of "In Search of Unicorns," the stupefyingly high-flown story for children, which the heroine narrates. If ever there was a great example of how the best popular movies come out of a merger of commerce and art, The Godfather is it. The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen. Pauline Kael was, in the words of Entertainment Weekly's movie reviewer Owen Gleiberman, "the Elvis or Beatles of film criticism." Error rating book. Guest: Michigan poet 165. Pauline Kael was a film critic for The New Yorker from 1967 to 1991, as well as the author of several books, including I Lost It at the Movies and For Keeps: 30 Years at the Movies. To Kael, Sarris concentrates on what is established, unoriginal in a work and ignores new ideas, one-offs and innovations. I Lost it at the Movies book. In my opinion, a pretty good time … For a more extended discussion, see Pauline Kael's book Reeling. These brief, informative reviews, written for the "Goings On About Town" section of The New Yorker, provide an immense range of listings---a masterly critical history of American and foreign film. Raising Kane and other Essays offers the best of Pauline Kael's more extended meditations on the movies, including the full text of her controversial account of the making of Citizen Kane, still considered by many to be the greatest motion picture ever made. The movie starts from a trash novel that is generally considered gripping and compulsively readable, though (maybe because movies more than satisfy my appetite for trash) I found it unreadable. AP hide caption To add more books, I Lost it at the Movies: Film Writings, 1954-1965, Kiss Kiss Bang Bang: Film Writings, 1965-1967, When the Lights Go Down: Film Writings, 1975-1980, Deeper Into Movies: Film Writings, 1969-1972, Afterglow: A Last Conversation With Pauline Kael, Taking it All In: Film Writings, 1980-1983, State of the Art: Film Writings, 1983-1985. The movie doesn’t have to be great; it can be stupid and empty and you can still have the joy of a good performance, or the joy in just a good line. 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