1 Aria "Ich habe genug.." excerpt here. Ich habe genug9:11 2. The B section is more devoted to notions of Christ′s solace achieved through His agony as the melisma on Wunden—-injuries—- makes clear. The casual listener may first be struck by the thought—I have heard this somewhere—before realising that the second movement is the basis for the Crucifixus of the Bm Mass. Happily Bach had no such inhibitions and it is worth spending a moment isolating the main changes that he made in adapting this music for the Mass. Bach compuso esta obra durante su estancia en Leipzig para el decimoquinto domingo después de la Trinidad. Here the main musical interest is invested in the highly embellished oboe line, the sort of ornately baroque melody that we find in a number of Bach′s slow movements (the middle movement of the Italian Concerto provides a perfect example). Although the German term Bachkantate (Bach cantata) became very … The aria "Sich üben im … Thus poetic metaphor, traditional hymn tune, the basic theme of the cantata and the efforts of the individual are all brought together in a seemingly unpretentious but beautifully crafted little aria. ... the use of the oboe, oboe d'Amore and oboe da Caccia in the sacred arias of Johann Sebastian Bach cantatas. Bach’s solo cantatas are, in some sense, his only true cantatas since the term `cantata’ was drawn from an Italian genre which was designed for solo voice. The broken rhythms of the opening continuo melody may at first seem at odds with the call to be steadfast and resolute but to view it in this way is probably to miss the point of Bach′s approach to melodic structuring. Furthermore, a superb motet of the same name is based upon this tune). The list includes both extant cantatas and, as far as known, lost cantatas. Recorded in 1991. He was less interested in repetition forms, such as theme and variation and chaconne, than in those based upon organic harmonic development but, as the Goldberg Variations show, when he did turn his hand to them he showed everyone else how they should be done! In his early career Bach transcribed concertos by other composers for solo organ (BWV 592–596) and for solo harpsichord (BWV 972–987). | Copyright Policy Bach indeed used this term for the solo works and named those with more voices `concerto’; however, this latter term has been dropped in modern musical practice to avoid confusion with the purely instrumental works of that name. We studied these arias for ages and listened to several recordings in order to select the best pieces for our combination of soprano and oboe. ahora el año llega a su fin. Not only Nienke, but my oboe is also allowed to sing. En “Wie freudig ist mein Herz”, de la 199, comienza el oboe con una frase corta a modo de proclamación, la de la inmensa alegría del hombre, que acaba de liberar su culpa mediante el sacrificio. Roberto Morales, oboe Pascal Montenegro, oboe PAULINE: We feel that in these works of Bach the soprano and the oboe are perfectly attuned to each other. DG: 4784231. This anticipation of death – whether Christ’s or our own – is a common textual theme in Bach’s works, especially the cantatas. But it only lasts a moment and we return to the original material a mere half a dozen bars later. There seems little reason for using a slow movement by the Italian composer Alessandro Marcello when a perfectly good aria by Bach is available from the same cantata and, if the hypothesis about the outer movements originally having been conceived for oboe is true, … The list includes both extant cantatas and, as far as known, lost cantatas. Bach: Cantatas BWV 157 & BWV 169 J.S. from the cantatas and oratorios of Johann Sebastian Bach (1685-1750), all for soprano with oboe, oboe d'amore, or oboe da caccia obbligato. 51, Oboe Adagio & Air on the G String - Vivaldi: Violin Concertos - Handel: Messiah, Hallelujah Chorus - Mozart: Ave Verum Corpus - Pachelbel: Canon in D Major - Walter Rinaldi: Piano Concertos & String Orchestra Works por en tu teléfono, ordenador y sistema de audio doméstico con Johann Sebastian Bach. Buy CD or download online. Cantata 21 is a two-part cantata composed of nine movements, summarized below. Here the violins ′fill in′ the gaps with a repeated five-note figure that turns about upon itself, and the violas and continuo offer the essential harmonic support without intruding too obviously upon the oboe′s … Mein Trost ist nur allein10:48 3. Secondly, the four syllables of the word ′crucifixus′ invest the vocal line with a throbbing quality that the previous, more sustained phrases had lacked. It does, however, boast one important addition, a descant melody which might have been played by the violin or trumpet; or indeed both  in unison. The theme is clearly in two parts, one broken and one of continuous quavers (from the 5th bar). Mein Gott! The ground as it appears in C 12 and later in the mass. The warm sound of the oboe d’amore contributes to the intimate feel of this aria, as does the lower, warmer timbre of the alto soloist. And lastly, Bach changes the beginning and end. Bach, Johann Sebastian Arioso from Cantata BWV 156 sheet music for Oboe (pdf) - 8notes.com That is also the case with the ground bass underpinning the Passacaglia and Fugue for organ in C minor. (Readers might like to turn to vol 3, chapter 50 where comment is provided on a similar process of refinement of the Agnus Dei). Orchestra: oboe, strings, continuo Discography All Music Guide: Primary Sources Bach Digital (source list) External Links Wikipedia article Bach-Cantatas.com: Navigation etc. Oboe and Bach Francine wrote (December 13, 2001): Secular Cantata BWV 213, Hercules at the Crossroads, has a beautiful aria with Virtue (sung by tenor) singing to Hercules in unforgettable counterpoint with the oboe, though backed up by instrumental ensemble, "Auf meinen Fluegeln sollst du schweben" (upon my wings you shall soar). The pastoral C 104, presented the previous week, revealed little of the suffering so often deemed to be an essential part of the journey to the Kingdom of Heaven. Titles of the cantatas. This is a sortable list of the Bach cantatas, the cantatas of Johann Sebastian Bach. Koopman - Vol.1 Steve Schwartz wrote (July 11, 1997): Cantata BWV 31 "Der Himmel lacht! BACH, Johann Sebastian (1685-1750). Its text is concise and unequivocal—-weeping, wailing, grieving and fear within anxiety and torment, all these mark the very bread of tearful Christians. Chorale. Preciosa la escritura que Bach asigna a los instrumentos antedichos, que se intercalan alternativamente a las frases del cantante. Jesus nahm zu sich die Zwölfe, BWV 22 (Jesús tomó consigo a los doce) es una cantata de iglesia escrita por Johann Sebastian Bach en Leipzig para Quinquagesima, el último domingo antes de Cuaresma.Bach creó esta composición como pieza para una audición para el puesto de Thomaskantor en Leipzig y fue estrenada allí el 7 de febrero de 1723. He commences the Crucifixus with one statement of the ground beneath the wind and string chords before the voices enter. Bach's almost 200 extant cantatas are among his important vocal compositions.. Bach’s solo cantatas are, in some sense, his only true cantatas since the term `cantata’ was drawn from an Italian genre which was designed for solo voice. | Life of Bach, Bach & Other Composers So there must have been some good oboe playing visitors in town around this time of Ascension and Pentecost in 1725. The chromatic falling scale from the tonic to the dominant note (doh to soh) had already become a musical cliché expressing thoughts of death, misery and torment. For this, we started our study from the Protestant Reform Movement, its origins and bases and its great influence in the music. Its succinctness is worthy of notice however; on the mention of the kissing of Christ′s abuse (from bar 26) there is a feeling of a contrasting middle section, the act of kissing actually suggested by the violins. The theme is the inevitable and natural (at least in this earthly life) unity of hardship and triumph—-cross and crown, challenge and prize; all unite as one, as do Christians with their torment—–and yet comfort is to be found in the wounds of Christ. It was likely composed for a wedding, but scholars disagree on the dating which could be as early as Bach's tenure in Weimar, around 1714, while it has traditionally been connected to his wedding to Anna Magdalena on 3 December 1721 in Köthen. Although cantata 23 doesn’t appear in the Jahrgant I until February 20, 1724, it was one of Bach’s audition cantatas a full year earlier. | Mailing Lists, Members, Contributors 5 – “Gott versorget alles Leben” – Mary Watt, oboe • from Cantata 49, No. One cannot know which particular verse of this hymn, Jesu meine Freude, Bach may have had in mind but it hardly matters; a melody as well known as this must have struck strong resonances with congregations. JS Bach: Cantatas. | Privacy Policy Peter Kooy (bass) & Marcel Ponseele (oboe) / La Chapelle Royale/ Philippe Herreweghe. die Erde jubilieret" ("Heaven laughs! Like the oboe da caccia featured in last week's cantata, the oboe d’amore is a lower-pitched cousin to the modern oboe, with a warmer, less strident tone. Oboe D'amore Concerto In a Major, BWV 1055: III. It seems that it is now time to return to the notion of anguish and distress and remind the good folk of Leipzig that salvation is not simply a gift; it is a rite of passage that has to be earned and the penalties for ignoring God′s word can be extremely severe. | Texts, Translations, Languages Although cantata 23 doesn’t appear in the Jahrgant I until February 20, 1724, it was one of Bach’s audition cantatas a full year earlier. Bach′s mind moved in an extraordinarily complex way! (Students who wish to study Bach′s harmonisations of this chorale may seek out Cs 81, 87 and 64. Here it is a section of a longer movement; in the Mass, partially re-written and transposed down to Em, the key Bach associates with the crucifixion, it stands as the central focus of the entire composition. It offers many details including full-text search. The document first discusses the place and importance of oboe obbligatos in Bach's vocal works. My favorite part of this cantata is the tenor aria: it is a beautiful piece of music, a quartet really, between the two oboe parts, the tenor voice, and the continuo, the way tenor arias often are with Bach, and I appreciate the text “Ich höre mitten in den Leiden ein Trostwort, so mein Jesus spricht” (In the midst of my sufferings I hear a word of consolation spoken by Jesus). It is one of Bach's frequently recorded cantatas. Anna Prohaska, soprano. After his death, his son Wilhelm Friedemann Bach arranged the first and fifth movements, adopting a new text and adding trumpets and timpani. Para hoy, Johann Sebastian Bach (1685-1750), nos propone su Ich steh mit einem Fuß im Grabe, BWV 156, que podría traducirse por "Estoy ya con un pie en la tumba".Se trata de una cantata para el tercer domingo tras la Epifanía y fue estrenada ese día en Leipzig el 23 de enero de 1729. Cantata BWV 28 Gottlob! The division of the verse in such a way as to create a ternary form movement allows the composer to place maximum emphasis upon the miseries of Christian existence. Tarkmann: Chorale Dein Blut, der edle Saft from Cantata BWV 136, arranged for solo oboe, choir & chamber orchestra [1:22] Bach-A.N. [1] [2] La cantata es una de las únicas cuatro cantatas sacras que Bach escribió para soprano sin más solistas vocales, excluyendo el arreglo que hizo Bach de la cantata para bajo solista y oboe BWV 82, que resultó en la cantata para soprano y flauta BWV 82a. The text has no recitatives alternating with arias, but … Harmonia Mundi France. Some comparative comments may be found in the essay on the latter of these works, chapter 41 of this volume. nun geht das Jahr zu Ende ¡Alabado sea Dios! Cantatas of the Bach Family. Bach′s choice of musical structure, the ground bass, was, for him, rather unusual. The effect is sadly tragic and, if one did not already know the Crucifixus, one would find it difficult to imagine how this original version could be improved upon. This is obvious from looking at Bach's scores. General Topics: This is the first hint we have had in this cantata of better things to come and that thought is, perhaps, presaged by the temporary movement from minor to major in the first two bars of the ritornello theme. Part 1, Oboe d'amore and oboe of the four cantatas written by Bach for the feast (72, 73, 111, and 156), it was the last, and the only one scored for solo voice. A great proportion of the texts Bach set for his first Leipzig Easter celebrations were essentially optimistic. Copyright: J Mincham 2010. His harpsichord concertos are mostly adaptations of concertos originally written for other solo instruments.. But this thought is itself symbolically interrupted by the unusual cadence over bars 5 and 6, perhaps a moment to assimilate the realisation that whatever the challenges, comfort may still be sought in the wounds of Christ. Escúchalo en streaming y sin anuncios o compra CDs y MP3s ahora en Amazon.es. Oboe Concerto Alt ernative. It has no need to repeat the message. He used a text by Georg Christian Lehms, which was published already in 1711. Bach: Cantata 117, Sei Lob und Ehr dem höchsten Gut; Cantata 93, Wer nur den lieben Gott lässt walten; Cantata 169, Gott soll allein mein Herze haben : Cantata BWV 169 [18:43] Diethard Hellmann: Bach-Chor (Kurrende der Christuskirche) & Bach-Orchester Mainz 1-12 Complete Cantata Cycle Vols. Here the violins ′fill in′ the gaps with a repeated five-note figure that turns about upon itself, and the violas and continuo offer the essential harmonic support without intruding too obviously upon the oboe′s grief. The second for bass, two solo violins and continuo is the work’s first in a major mode, despite being the fifth movement. IJB 440 Key D minor Movements/Sections Mov'ts/Sec's: 3 First Pub lication. 4 – “Ich bin herrlich, ich bin schön” – Mary Watt, oboe d’amore 51, Oboe Adagio & Air on the G String - Vivaldi: Violin Concertos - Handel: Messiah, Hallelujah Chorus - Mozart: Ave Verum Corpus - Pachelbel: Canon in D Major - Walter Rinaldi: Piano Concertos & String Orchestra Works de J.S. Benjamin Appl (baritone), Christoph Hartmann (oboe) Berlin Barock Solisten, Reinhard Goebel El autor del libreto de la obra fue el famoso Christian Friedrich Henrici, conocido como "Picander". LINK: http://www.bach-cantatas.com/BWV12.htm. : Was Mir Behagt, Ist Nur Die Muntre Jagd, "Hunt Cantata / Oboe D'Amore Concerto in F Major de Helmuth Rilling en Amazon Music. The reason is, however, quite explicable; the trumpet declaims a chorale which is itself a minor melody and that determines the mode of the movement. There is practically nothing of major modes, and the serpentine meanderings of the oboe melody prepare the listener for the outpouring of grief expressed in the chorus that follows. Bach, Johann Sebastian (1685–1750) Works. The third in this sequence of arias is for tenor and continuo and, despite its constructive and encouraging message, it returns us to minor modes. Bach - Arioso from Cantata BWV 156 sheet music for Oboe (pdf) Sheet Music PDF MP3 Midi Parts Versions Access the high quality, printable PDF version of this piece by subscribing to 8notes.com … 0:00 1. Allegro Ma Non Tanto By Johann Sebastian Bach Louise Pellerin , Andre Laberge The brief alto recitative concisely encapsulates the essence of the cantata—-we must endure great hardship in order to enter the Kingdom of God. Bach indeed used this term for the solo works and named those with more voices `concerto’; however, this latter term has been dropped in modern musical practice to avoid confusion with the purely instrumental works of that name. Main Page Bach, J S: Cantata BWV106 'Gottes Zeit ist die allerbeste Zeit' (Actus tragicus) Bach, J S: Cantata BWV140 'Wachet auf, ruft uns die Stimme' Bach, J S: Cantata BWV147 'Herz und Mund und Tat und Leben' Bach, J S: Motet BWV118 'O Jesu Christ, mein Lebens Licht' Conductors. Bach’s cantatas were an unimaginable achievement. wenn kommt das schöne Nun!21:47 5. Leben ” – Mary Watt, oboe bach cantata oboe from cantata 156, performed on January 23 of that.... Oboe, oboe d'Amore Concerto in a Major, BWV 249- 2 playing visitors town! 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