Luther was not only the founder and guiding spirit of the Protestant Reformation, he was a poet of genius and, as a composer (or at least a melodist), remarkably imaginative, versatile, and effective. -congregational-chorales. 18th century Musical Context of Bach Cantatas: Table of Motets & Chorales for Events in the Lutheran Church Year The Lutheran Church Year - Explanation: The Lutheran Church Year is based on the two major events in the life of Christ: His birth and His resurrection. Below is a table summarizing these settings. Starting in 1523, Martin Luther began translating worship texts into German from the Latin. Bach's many chorale preludes are the best-known examples of the form. One thing is for certain: the answer is not 371 or 389. Bach’s chorales are strictly choral arrangements of well-known hymn tunes adorned with elaborate harmony; he never composed an original chorale. While he was director of music in Lutheran churches, he took the standard Lutheran hymns and reworked them for four voices, with one voice retaining the original melod. To get started, click on one of the categories below, peruse the indexes above, or search for a hymn title or subject: Complete Book of Bach Chorales (Archive Edition): Amazon.de: Silverman, Jerry: Fremdsprachige Bücher Wählen Sie Ihre Cookie-Einstellungen Wir verwenden Cookies und ähnliche Tools, um Ihr Einkaufserlebnis zu verbessern, um unsere Dienste anzubieten, um zu verstehen, wie die Kunden unsere Dienste nutzen, damit wir Verbesserungen vornehmen können, und um Werbung anzuzeigen. =BWV 414 (=Riemenschneider 148). bach–chorales.com by Luke Dahn. [8], This article is about a Lutheran music genre. It is important to know how these 192 chorales have survived to understand why this is. true. See more. In modern times the chorale is considered to be a musical setting, usually polyphonic, of a traditional religious text. In other words, for how many of these 420 chorales do we have in either Bach’s own hand or in the hand of one of his Leipzig copyists? 4) Two settings (BWVs 27.6 and 43.11) that are taken directly from the 1682 Neu Leipziger Gesangbuch (NLGB), an important hymnal of Bach’s day. Of the six in the former category, one is identical in every way (75.7=100.6), four are identical but transposed to different keys (12.7=69a.6, 41.6=171.6, 120a.6=137.5, and 244.15=244.17), and three are identical but with slight variation in the obbligato instrumentation (12.7=69a.6, 59.3=175.7, and 120a.6=137.5). The Buxtehude Chaconne in e-minor concludes the program. What seems to be a straightforward question is, in reality, rather complicated. Choral versions of all these chorales may be found on YouTube by searching for the BWV number. [2] For other hymns he adapted Gregorian chant melodies used in Catholic worship to fit new German texts, sometimes using the same melody more than once. Okay. contributions to Western music was Bach’s chorale harmonizations. SING and SIGN Choir and Orchestra. Attributed to C.P.E. These two settings are identical apart from their keys—BWV 414 (=R148) is a M3 lower. 3) Two settings from the BWV 253–438 individual chorales are slightly reworked versions of chorales from the cantatas (BWV 359=154.3, 279=158.4). Bach closes Cantata 27 (from October 1726) with a setting taken directly from the, Bach closes Cantata 43 (from May 1726) with a setting taken directly from the. • Melodies should be something easy to sing with a recognisable tune. cantatas, passions, etc.) The German word Choral, which was originally used to describe Latin plainchant melodies, was first applied to the Lutheran hymn only in the later sixteenth century. BWV 416, to which Riemenschneider 47 corresponds, is the later version. [click], we test our workflow on Bach chorales, finding out that our re-trained results are 93.5% accurate, meaning there are 6.5% results that are different from the expert, and among them some of these are still legitimate analyses because there are sometimes multiple correct analyses in chord labeling. Since speculations regarding the number of lost church cantatas vary considerably, it is entirely impossible to know how many Bach chorales have been lost.

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