The film also stars Gugu Mbatha-Raw, Penelope Wilton, and Lucas Bond and promises something increasingly rare: a new look at wartime through the eyes of a female lead. On 13 January 2020, Spike Lee was named as the president of the Jury. A landmark of the Italian neorealist movement, Rome, Open City was one of 11 winners at the 1946 festival. Amirpour has yet to bring a film to Cannes, and with increased pressure on the festival to make room for women directors, especially diverse ones, um, hello, there’s a visionary one right here. It still could be if Cannes’ plan to delay the 2020 festival to late June holds, as Warner Bros. is opening “Tenet” in July. Founded in 1946, the invitation-only festival is held annually (usually in May) at the Palais des Festivals et des Congrès. Mexican filmmaker Alejandro González Iñárritu served as jury president. But a Cannes slot could give this hotly awaited film a chance to rise from the ashes, even after test screenings reportedly left focus groups uneasy over the film’s less-than-tidy resolution. And while there were efforts during that time to collaborate with Isabelle Adjani on a film of some kind, nothing came from those until now. For his latest project, Folman has tackled one of the most widely known literary figures of the 20th century by giving her a whole new platform. His next film, “Tre Piani,” is Moretti’s first adaptation of another source material, lifting from an Israeli book by Eshkol Nevo. The specifics of that gift remain shrouded in question, but knowing Carax, it’s safe to assume that much about the narrative defies easy description. Movies. Of course. It’s too soon to know if Yeon will be able to recapture the same lightning in a bottle on a much bigger canvas, but it’s safe to assume that Cannes will be the first place to find out; “Train to Busan” premiered in a midnight slot there, and “Peninsula” will almost certainly follow suit if it can. This time, he ventures to Colombia to explore the experiences of a nomadic woman (Swinton) suffering from exploding head syndrome, which causes her to hear loud noises that don’t exist. When the film’s rights sold at last year’ Cannes, Screen reported that Nicchiarelli would rely on “the insertion of period photographs and footage, the ironic use of contemporary music, and a minimalist aesthetic for clothing and furnishing” to subvert the usual genre trappings. The film is… This Article is related to: Film and tagged Cannes, Christopher Nolan, Edgar Wright, Festivals, Wes Anderson. —ZS. With “Mona Lisa and the Blood Moon,” Amirpour has lined up her biggest cast yet, including Kate Hudson, Craig Robinson, and Korean actress Jun Jong-Seo, the breakout supporting star of 2018’s Cannes sensation “Burning.”, With another original script from Amirpour, this time using the fantasy and adventure genres as her springboard, “Mona Lisa” turns on a young girl with magical and potentially volatile powers. That means promising new movies like Chloé Zhao’s reportedly unfinished “Nomadland” didn’t show up here; ditto Sofia Coppola’s “On the Rocks,” which apparently already committed to a Venice launch. Donbass. The 41st Cannes Film Festival was held from 11 to 23 May 1988.The Palme d'Or went to the Pelle erobreren by Bille August.. Here's a look at six mainstream movies that premiered at Cannes and went on to find box office or critical success. Sign up for our Email Newsletters here. Wes Anderson has used the Berlin International Film Festival to launch his last two feature films, “The Grand Budapest Hotel” and “Isle of Dogs,” but 2020 was supposed to mark the auteur’s big return to Cannes with his new project, “The French Dispatch.” Anderson was last at Cannes with “Moonrise Kingdom,” which world premiered on the opening night of the 2012 event. —KE, The prankish sensibilities of French filmmaker Dupieux — who doubles as the DJ Mr. Oizu — have been well-established at Cannes over the years, with surreal gambits like the existential killer tire movie “Rubber” and last year’s demented jacket gimmick “Deerskin” proving that he has no shortage of outrageous ideas, and the wherewithal to pull them off. Israeli director Ari Folman emerged as one of the most exciting voices in contemporary animation with his 2008 Cannes entry “Waltz With Bashir,” an innovative rotoscoped documentary about the 1982 Lebanon invasion that pushed the animated form in an exciting new direction. After all, when have Wright’s films ever benefited from leaking loglines? Since then, radio silence…until last year, when Carax finally started production on what has sounded like his most ambitious project to date, and his first foray into English language. Adam Driver stars as a standup comedian who, along with his famous soprano wife played by Marion Cotillard, raises a child with an enigmatic gift. Shortening the gap between a potential Cannes world premiere and the film’s theatrical opening could increase its chances of world premiering at the festival, but Nolan remains unpredictable when it comes to festivals. Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. The festival opened with Pirates, directed by Roman Polanski and closed with El Amor brujo, directed by Carlos Saura. —KE. Moretti’s more recent films, from 2015’s “My Mother” to 2011’s “We Have a Pope,” bring humor to serious subject matter, often bringing a much needed lightness to a Croisette lined with heavy, heavy movies. —EK. It’s safe to assume that “Home” will provide an actor’s showcase from a fixture of international cinema poised to break out in a whole new way, and Cannes would be the ideal place to start that story. —EK. —EK. Italian director Nanni Moretti is hardly a stranger to Cannes. That itself is an exciting shift, given that Weerasethakul has been the foremost cinematic chronicler of his country’s mythological and historical identity. —DE, François Ozon is no stranger to the Cannes Film Festival, having competed for the Palme d’Or with “Swimming Pool” and “Double Lover,” and he could’ve been back in the running for the festival’s top prize in 2020 with his new directorial effort “Summer of ’85.” Ozon is renowned for his fearless explorations of sexuality, and “Summer of ’85” is pure Ozon territory as it tells the story of a 16-year-old boy who capsizes off the coast of Normandy and is saved by an 18-year-old teenager. —ZS. After breaking onto the international stage with her widely acclaimed “Inch’Allah Dimanche” in 2001, Yamina Benguigui — a French filmmaker of Algerian descent — seemed poised to become a mainstay on the international festival circuit. Cannes is notorious for disregarding non-fiction, but occasional documentaries sneak into the lineup, from Palme d’Or winner “Fahrenheit 9/11” to Oscar winner “Inside Job.” Even so, the potential for Garrett Bradley’s “Time” to surface at Cannes following its Sundance premiere held the aura of something different:  The black-and-white chronicle of Fox Rich, who spent more than two decades trying to get her her husband released from a 60-year prison sentence, delivers a unique emotional experience from one of the most promising documentary directors to emerge this decade. For a certain class of contemporary cinephile, a new Wright joint is always going to be an event, and while details remain slim on “Soho,” movie obsessive Wright has already let slip a few inspirations, naming other British horror films like “Don’t Look Now” and “Repulsion” as guide posts. The 39th Cannes Film Festival was held from 8 to 19 May 1986.The Palme d'Or went to The Mission by Roland Joffé.. But her interest in the plight of French immigrants ultimately led Benguigui in a different direction; after making a small number of documentaries that shared the social concerns of her debut feature, Benguigui followed her convictions into the political arena, fighting for human rights on Paris’ city council and then serving at the Ministry of Foreign Affairs. Movies. Cannes Film Festival Award-Winning Films To Watch: ‘La Dolce Vita’ ... May 12 should have been the day of the opening of the 73rd edition of the Cannes Film Festival… ), Dupieux’s storytelling always takes baffling turns — think David Lynch meets Monty Python — and it’s safe to assume that “Mandibules” will deliver a very appealing ride. Director: Sergei Loznitsa … The film, which Hansen-Løve described to IndieWire as a story about “how film tends to replace my memories of what really happened,” has the potential to be something of a crossover arthouse hit for one of modern cinema’s most consistently brilliant auteurs, whose previous work (such as “Eden,” “Things to Come,” and “Goodbye First Love”) has found deep American fanbases despite limited distribution. Since most of the main characters from “Train to Busan” have already been eaten alive on screen, Yeon has turned to a new cast fronted by “Golden Slumbers” star Kang Dong-won and singer-actress Lee Jung-hyun. Cannes Film Festival Posters Through the Years. Interviews with leading film and TV creators about their process and craft. Other details are slim, but we know that “Soul” — which is also the rare Pixar feature focused on a person of color — will see Joe attempting to reunite his body and soul after learning some big lessons along the way. Cannes loves movies about American society (especially impoverished American society) that use film language in exciting new ways, and the international profile sometimes helps clarify the talent at hand by pushing beyond the “documentary” moniker. A film that premiered at the Cannes Film Festival this week reportedly caused outrage and prompted walkouts due to its lengthy ... Kechiche is best known for his 2013 movie … Short films (between 1 and 35 minutes) can be registered for the Short Film Corner: a meeting place dedicated to short films within the Festival de Cannes. Directed by Henry Jaglom. 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Apichatpong Weerasethakul and Tilda Swinton, Weerasethakul’s movies are usually an acquired taste, but those willing to open themselves up to his singular vision are rewarded with truly unexpected ways of experiencing the modern world. Otherwise known as “ADN” in French, “DNA” centers on a woman close to her Algerian grandfather who, after his death, must confront the complicated upbringing from which he tried to protect her. Driver went viral last year with his grand Sondheim moment in “Marriage Story,” so “Annette” is perfectly situated to take that musical potential to more daring heights, while finally allowing Carax’s dreamlike storytelling abilities to reach a wider audience. Co-written by the screenwriter of “A Prophet” and starring Adjani, Maiwenn, and Rachida Bakri as its eponymous sisters, “Soeurs” finds Benguigui splitting her persona into three equal shards for a story about a filmmaker, a politician, and a businesswoman each navigate their relationships to their home and adopted countries. (You read that right. Niccharelli has never screened at Cannes before, but she’s been a longtime favorite of Venice, and seems poised to take the next step in the international arena. —EK. Jon Hamm! While much of the praise surrounding “Portrait of a Lady on Fire” centered on the performances from Noémie Merlant and Adèle Haenel, Luàna Bajrami held her own as the movie’s supportive maid, and won the “Most Promising Actress” prize from 2020 Césars. Cannes' Marché du Film 2020: Online from... REPLAY ! Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. It’s worth a shot. Why not. Sign up for our Email Newsletters here. Opening film – out of competition Les Fantômes d’Ismaël (dir: Arnaud Desplechin) Competition (BPM) Beats Per Minute (dir: Robin Campillo) The Beguiled (dir: Sofia Coppola) The Day After (dir: Hong Sang-soo) A Gentle Creature (dir: Sergei Loznitsa) Good Time (dirs: Benny & Josh Safdie) Happy End (dir: Michael Haneke) In the Fade (dir: Fatih Akin) Jupiter’s Moon (dir: Kornél Mundruczó) The Killing of a Sacred Deer (dir: Yo… Spanish film director and screenwriter Pedro Almodóvar was the President of the Jury for the festival and Italian actress Monica Bellucci hosted the opening and closing ceremonies. Copyright © 2021 Penske Business Media, LLC. Adapted from author AJ Finn’s 2018 potboiler, it was originally slated for an October 2019 awards season release, then moved to May 15 of this year, and then moved again into the ether as its fate — like so many movies right now — remains unknown. Despite her formidable intellect, her personal life was fraught, and she was often at the mercy of her cruel long-time partner Edward Aveling (played by Patrick Kennedy). The movie, which also features “Blue is the Warmest Color” breakout Adele Exarchopoulos, boasts an original score by the filmmaker, whose movies always deliver wacky adventures worth the trip, no matter where they end up. Filming took place in 2019, with the cast including Margherita Buy, Riccardo Scamarcio, Alba Rohrwacher, and Moretti himself, so this one looks ready to go for the 2020 festival circuit. The Cannes Festival , until 2003 called the International Film Festival (Festival international du film) and known in English as the Cannes Film Festival, is an annual film festival held in Cannes, France, which previews new films of all genres, including documentaries, from all around the world. Chasen Parker, a 24-year-old filmmaker from The Woodlands, has achieved one of the ultimate goals for a movie director: showcasing his work at the prestigious Cannes Film Festival. (So if the festival actually happens this summer, it’s not off the table. and rising talents (from Glenn Powell to Jay Ellis, Danny Ramirez to Lewis Pullman), and would have benefited immensely from the global stage Cannes sets out. And “Tramps” director Adam Leon is as likely as anyone to join the club. Cannes would have been a natural platform for his latest bizarro cinematic adventure, which has the sort of ludicrous premise that only Dupieux could envision: It’s the story of two friends (comedy duo Grégoire Ludig and David Marsais) who discover a fly trapped in a car boot and train it to do tricks for easy money. Production : GO GIGI GO PRODUCTIONS LLC - Distribution France : SONY PICTURES RELEASING, 9 JOURS A RAQQA by Xavier de Lauzanne - (France) - 1h30, ANTOINETTE DANS LES CÉVENNES by Caroline Vignal (France) - 1h35, Production : CHAPKA FILMS  / LA FILMERIE - International Sales : PLAYTIME - French Distribution : DIAPHANA DISTRIBUTION, LES DEUX ALFRED by Bruno Podalydès (France) - 1h30, Production : WHY NOT PRODUCTIONS - French Distribution : UGC DISTRIBUTION, UN TRIOMPHE (The big hit) by Emmanuel Courcol (France) - 1h40, Production : AGAT FILMS & CIE - International Sales : MK2 FILMS - French Distribution : MEMENTO FILMS DISTRIBUTION, L’ORIGINE DU MONDE by Laurent Lafitte (France) - 1st film, Production : TRESOR FILMS - International Sales : STUDIO CANAL - French Distribution : STUDIO CANAL, LE DISCOURS by Laurent Tirard (France) - 1h27, Production : LES FILMS SUR MESURE - International Sales : CHARADES - French Distribution : LE PACTE, AYA TO MAJO (Earwig and the Witch) by Gorô Miyazaki (Japan) - 1h22, Production : NHK / NHK ENTERPRISES / STUDIO GHIBLI - International Sales : WILD BUNCH INTERNATIONAL, FLEE by Jonas Poher Rasmussen (Denmark) - 1h30, Production : FINAL CUT FOR REAL / SUN CREATURE STUDIO - International Sales : CINEPHIL, JOSEP by Aurel (France) - 1h20 - 1st film, Production : LES FILMS D'ICI - International Sales : THE PARTY FILM SALES - French Distribution : SOPHIE DULAC DISTRIBUTION, Production : PIXAR ANIMATION STUDIOS - French Distribution : THE WALT DISNEY COMPANY. —EK. The filmmaker has described the movie as another dreamlike descent into a lyrical world just a few degrees removed from the real one, while still immersed in real places and people. Cannes Film Festival - one of the most exclusive and long-standing movie events in the history of cinema - kicks off today. The 72nd annual Cannes Film Festival took place from 14 to 25 May 2019. “Vincere” (2009) The early life and rise to power of Benito Mussolini is the subject of this thrillingly … Ismael's Ghosts, directed by French director Arnaud Desplechin, was the opening film for the festival. Who hears “zombie comedy” and foresees what “Shaun of the Dead” would become? Moretti relocates the setting from Tel Aviv to Italy, telling the story of three families in different apartments in the same condominium, all of whom are suffering crises that include child abuse, loneliness, and ruminations on a haunted past. When the animation house premiered “Inside Out” at the festival in 2015, the reaction was hugely positive — a journey through the headlines of stories about its premiere mostly hinge on shock that such a Hollywood offering would be this well-received at Cannes of all places — and it looked as if the festival was preparing for a repeat with “Soul.”, Pixar’s next film, set (for now) for a June release, even looks like a smart spiritual sister to “Inside Out.” While that movie was about the warring emotions that drive the human mind, Pete Docter’s followup is all about the soul that gives people their humanity. His kitchen-sink drama “The Son’s Room” picked up the Palme d’Or in 2001, and he served as president of the jury in 2012, the year that Michael Haneke’s “Amour” took home the top prize before going on to earn five Academy Award nominations. Needless to say, if Cannes does happen, its lineup has a lot of potential. For a crowd that adored “Inside Out,” “Soul” sounds like the next Hollywood feature that could really break through to the festival set, if it gets the chance. Maïwenn’s previous films demonstrated dexterity behind of and in front of the camera, and both with a tremendous capacity to disturb as the director and actress puts the crimes of her country past on trial. Each year, IndieWire assembles a wish list of movies that we hope will make the cut. In 2012, his boundary-pushing “Holy Motors” was the great surprise of Cannes competition, an abstract soul-searching story of a mysterious figure juggling multiple identities over the course of a single surreal day. But the movie has been in the can for a minute, and would be a natural fit on the Croisette if it maintains even a fraction of the bouncy throwback energy that have made Leon’s previous work feel so fresh. Presumably ) find its way to a Festival launch this year all, when have Wright ’ s therapist. 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